![]() Their music can be classified as a mix between funk, acid jazz and Latin rhythms. The Music of Los Amigos InvisiblesLos Amigos Invisibles have released 10 albums since their start in 1995. Los Amigos Invisibles is known for their funky and energetic sound with Latin-influenced beats. They were later joined by Miguel Ignacio Mendoza in 2002. The History of Los Amigos InvisiblesThe group first started in 1995 as an underground music project by five friends: Juan Manuel Roura, Mauricio Arcas, José Rafael Torres, José Luis Pardo and Armando Figueredo. All members of the group are around 40 years old and originally from Caracas, Venezuela. The band is composed of six members: Juan Manuel Roura, Mauricio Arcas, José Rafael Torres, José Luis Pardo, Miguel Ignacio Mendoza, and Armando Figueredo. From Caracas to Rio to Manhattan, Zinga Son is a musical tour of glittery discotheques, sunny beaches, and sweaty underground clubs that's surprisingly sophisticated and undeniably sensual.Los Amigos Invisibles: A Venezuelan Funk and Acid Jazz BandLos Amigos Invisibles is a Venezuelan funk and acid jazz band that has been producing music since the 1990s. ![]() This is the point when the aphrodisiac effects of the music take over and it becomes imperative to find a dark, private spot and the companion of your choice. By the time the dreamy, libidinous "Bruja" closes the album with its reverbed vocals and loose guitar massage, a warm corporeal pleasure has set in. Whether it's Los Amigos' newfound dynamic sensibility or the studio savvy of Masters at Work, there's an intuitive progression to the album that works like a little white pill and makes everything flow just like it should. This song specifically stands out for its silky production and corny, infectious vocals, and with its blissful, "golden age of disco" flush, could well become an international club hit. Soon, a cover of Touchdown's 70s disco anthem "Ease Your Mind" delivers Hall & Oates-evoking synth and sax, and the festivities approach full-swing. "Comodón Johnson" opens the record on a shy and atmospheric note, its birdsong and wind chimes building a summery, front porch vibe. But calling these songs out by name diminishes the album's convivial continuity- like the best dance music collections it flows seamlessly. ![]() There's Brazilian flourish in the batucada breakdown of "Playa Azul", comedic P-Funk crowd noise in "Majunche"'s bubbly funk, Willie Bobo-style boogaloo in the horn-accented "Calne", and a whole lotta Steely Dan-ish AM radio swish in "Diablo". Since their beginnings, Los Amigos have blended an array of dance-inspired influences, and Zinga Son emphasizes each while maintaining a well-balanced mix. Most importantly, though, the overall sound is much richer- singer Julio Briceño's voice has been mellowed into the instrumental mix, an arrangement relying more on lush, multi-tracked layering than aggressive shredding. Also, their playful horndog tendencies have become humorous asides rather than a fratboyish focal point (the album's name loosely translates to "The Major Venezuelan Fuckfest"), a misstep in their older work that led to song titles like "Masturbation Session" and "El Disco Anal". For instance, they again present an unabridged 70-minute marathon, but this time it's due to extended track length (another house-mix touch) rather than an excessive number of tracks. There's no question that these six Venezuelan funboys have grown up, but they're still far from mature, which is ultimately a good thing. This is the sleek, globe-spanning lovefest Los Amigos always had in them- Masters at Work just peeled away the fluff. The album's filtered percussion, insistent backbeat and silvery, synthesized sheen mark it as a mood enhancer that could've been borne out of the OM or Ubiquity Records incubator. 1 dives gracefully into its swirling currents. Whereas Arepa took a hesitant, flailing step towards dancefloor electronica, The Venezuelan Zinga Son, Vol. As the elder statesmen of the club-friendly blend of throbbing Latin rhythms and breezy electronic textures known as the Nuyorican sound, "Little" Louie Vega and Kenny "Dope" Gonzalez were the perfect choice to sculpt the band's post-millennial image. Someone put a call in to production team Masters at Work. Then, something wonderful happened: lightning struck, planets aligned, genius intervened.
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